<h3> 一說(shuō)起自拍我?guī)缀蹩梢詳喽ㄈ藗兪紫嚷?lián)想到的就是美顏相機(jī)和表里不一。但是，每一位杰出的攝影師無(wú)一例外都會(huì)為自己拍攝自拍照 ，如同畫(huà)家的自畫(huà)像一樣，用沉默的靜態(tài)照片傳遞他們自己對(duì)于藝術(shù)風(fēng)格的把握。這里的自拍照和膚淺的美顏照有著截然不同的意義 。他是攝影師無(wú)聲的一種情感表達(dá)，一種藝術(shù)態(tài)度。更有甚者，會(huì)將這些照片作為當(dāng)下文化批評(píng)和社會(huì)批判的重要手段。</h3><h3> 以下即為世界著名的攝影大師的自拍照，他們中很多人都在攝影史中留名，拍攝手法也各具特色。</h3> <h3>Andreas Feininger's iconic image of Photojournalist Dennis Stock for Life Magazine, 1951</h3> <h3>Daido Moriyama, Self-portrait with Dogs, 1997</h3> <h3>Ed van der Elsken, Self-portrait with Ata Kandó, Paris, 1953</h3> <h3>Felix Nadar & Adrien Tournachon, Pierrot photographer by the mime Debureau, 1854</h3> <h3>Germaine Krull, Self-portrait with Ikarette, 1925</h3> <h3>Helmut Newton, Self-portrait with model, Hotel Bijou, Paris, 1973</h3> <h3>Ilse Bing, Self-Portrait in Mirrors, 1931</h3> <h3>Jacques-Henri Lartigue, portrait of Richard Avedon, New York, 1966</h3> <h3>Lee Friedlander, Self-portrait, 1997</h3><h3><br></h3><h3><br></h3><h3><br></h3><h3><br></h3><h3><br></h3><h3>M</h3> <h3>Martin Munkacsi</h3> <h3>Nobuyoshi Araki, Self-portrait</h3> <h3>Sally Mann, Self-portrait, 1974</h3> <h3>Umbo (Otto Umbehr), Self-portrait with Leica, 1952</h3> <h3>Vivian Maier, Self-portrait</h3> <h3>Willy Ronis, Self-portrait, 1955</h3> <h3>Willy Ruge, Arno Boettcher, 1927</h3> <h3>André Kertész</h3> <h3>Andreas Feininger self portrait, 1946</h3> <h3>Arthur 'Weegee' Fellig Self Portrait</h3> <h3>Diane Arbus Self Portrait</h3> <h3>Harry Callahan ~ Self Portrait</h3> <h3>Henri Cartier-Bresson, self-portrait, 1957</h3> <h3>Ilse Bing 1986</h3> <h3>Imogen Cunningham, “Self Portrait on Geary Street” (1958)</h3> <h3>Irving Penn</h3> <h3>Jeanloup Sieff Self-portrait</h3> <h3>Model Veruschka and photographer Franco Rubartelli, January 15, 1968, Vogue</h3> <h3>Photographer Sam Haskins 1963</h3> <h3>Richard Avedon, self-portrait, New York, ca 1963</h3> <h3>Rodney Smith</h3> <h3>SELF-PORTRAIT PAOLO ROVERSI</h3> <h3>Stanley Kubrick</h3> <h3>Vivian Maier Self-Portrait</h3>