<h3>《墨彩飛揚——中國56個民族舞蹈繪畫集》是對生活的感恩，對生活的贊美，也是為世界獻上的表現(xiàn)中國國畫藝術與舞蹈藝術之美的一束小花。
讓我們一同走進詩畫的境界吧。
</h3><h3>Dancing Colors—the Painting Collection of 56 Folk Dances of China have been painted to express a deep gratitude for their continued existence through the continuous efforts of local dancers who keep the old traditions alive as a compliment to their ancestors and to life. This collection is also a salute to the world, in the combined forms of Chinese Painting and Dancing.
Let’s journey together into the world of the poetry of dance and art.<br></h3><h3><br></h3> <h3>
哈薩克族舞蹈
哈薩克族能歌善舞，“可愛的一朵玫瑰花”就是哈薩克族民歌。
哈薩克族舞蹈離不開奔騰的駿馬、翱翔的雄鷹、潔白的天鵝……，具有濃烈的草原生活氣息，表現(xiàn)了哈薩克族彪悍、豪放的風格。
Kazak Dancing
The Kazak people are good at singing and dancing. The well-known “A Lovely Rose” is the folk song of the Kazak.
Their dances mimic the movements of galloping horses, soaring eagles and lilied swans, which show the strong vitality of the prairie and the bold style of the Kazak.<br></h3> <h3>
撒拉族舞蹈
“駱駝舞”是撒拉族的傳世之作，表現(xiàn)了撒拉族祖先含辛茹苦，萬里迢迢的東遷史，表現(xiàn)了堅韌不拔的民族精神。“駱駝舞”多在男婚女嫁的喜慶日子表演。“艷姑”在撒拉語中是“新嫁娘”的意思，即“駱駝舞”的表演對象。
Salar Dancing
The “Camel Dance” is considered a masterpiece passed down from generation to generation. It tells the story of how the ancestors of the Salar people trudged thousands of miles to the east enduring all kinds of hardships. The dance shows the unremitting spirit of the Salar. Usually the “Camel Dance” is performed during happy occasions or festivals. “Yangu”, which means bride in the Salar dialect, is the performance object of this dance.<br></h3> <h3>彝族舞蹈
“阿細跳月”是彝族支系阿細人的集體舞蹈，由于多在月光下起舞，被稱為“阿細跳月”。一年又一年，一代又一代，“阿細跳月”像清爽的山風，像歡快的小溪，像燃燒的火把，伴隨著彝族人的生活。
Yi Dancing
“Ah-xi Dance under the Moon” is the group dance of the Ah-xi people (one Yi ethnic branch). It is called this because they mostly dance under the moon. There are several forms of the dance. Some are like a fresh mountain breeze, some like a lively stream and some like the heat from a burning torch. The dance mirrors the lives of the Yi people.<br></h3> <h3></h3><h3>
維吾爾族舞蹈
“賽乃姆”是新疆維吾爾族的表演性舞蹈，其形式是自由進場，互相邀請，即興發(fā)揮。舞蹈中的打指（兩指打響）、移頸（移動脖子）、揚眉、旋轉(zhuǎn)等動作，以其微顫的動律、多變的姿態(tài)、高超的技巧而聞名中外。
Uygur Dancing
“Sainaimu” is the performing dance of Uygur in Xinjiang, with the form of dancers’ free entries, mutual invitations and impromptu dancing. Motions, by the dancers, like finger snaps, neck movements, eyebrows moved up and down, and spinning during the performance are famous all over the world for their lightly trembling rhythm, dynamic postures and excellent skills.<br></h3><h3></h3> <h3>藏族舞蹈
藏族不同地區(qū)的自然環(huán)境和經(jīng)濟條件形成了多種多樣的舞蹈形式，如牧區(qū)的“鍋莊”，農(nóng)區(qū)的“弦子”等。藏族舞蹈松胯、弓腰、曲背等基本動作，與高原地區(qū)的勞動生活，與虔誠的宗教禮儀有密切關系，給人以長袖善舞的難忘印象。
Tibetan Dancing
Due to different natural environments and economic conditions across different areas where the Tibetan people live, various Tibetan dances have been developed. These include the “Guozhuang Dance” in the pasturing area, and the “Xianzi Dance” in the agricultural area. The basic motions of Tibetan dance such as relaxing the crotch, bending the waist and back are very close to the every day work life on the Tibet plateau region. They also reflect some of the devout religious rituals practiced by the people. The dances involve the skillful, graceful use of long sleeves.<br></h3> <h3>塔塔爾族舞蹈
塔塔爾族民間舞蹈將音樂、詩歌、舞蹈融為一體，吸收了維吾爾族、俄羅斯族、烏孜別克族舞蹈的某些特點，又具有自己的獨特風格。著名的塔塔爾族民歌“在那銀色的月光下” 意境悠遠，曲調(diào)優(yōu)美，經(jīng)久不衰。
Tatar Dancing
The Tatar dancing is an integration of music, poems and dancing. It contains certain dancing characteristics of the Uygur, Russian, and Uzbek people but also has special features of its own. The well-known Tatar folk song “Under the Light of the Silver Moon” has a profound significance, a beautiful melody and an enduring message.<br></h3> <h3>
侗族舞蹈
“耶”是侗歌的一種，形式為一領眾和。“多耶”是數(shù)十名乃至上百名男女青年圍在一起載歌載舞。侗族大歌被認為是“在單調(diào)的東方民歌中發(fā)現(xiàn)了和聲”，“是最有魅力的復式音樂”。侗族舞蹈就是形體的侗族大歌。
Dong Dancing
“Yeeh” is one kind of Dong song, in the form of one lead vocal and many backup vocals. “Duo Yeeh” refers to dozens or even hundreds of youth singing and dancing in a circle together. The Dong Great Song is deemed as the “harmony discovered among the monotonous lives of oriental people”, and the “most charming compound music”. Dong dancing is the essence of the Dong Great Song.<br></h3> <h3>佤族舞蹈
佤族女子酷愛長發(fā)，以長發(fā)為美，習慣于長發(fā)披肩?！八Πl(fā)舞”是佤族女子顯示自己美麗和象征她們已經(jīng)長大、成熟的舞蹈。猛然甩動的長發(fā)好似巨浪翻騰，又如龍飛鳳舞，表現(xiàn)出佤族女性奔放、粗獷的性格。
Va Dancing
The Va women love long hair. It is regarded as a sign of beauty so women have very beautiful long hair. The Va girls perform the “Hair Dance” to show their beauty and to symbolize that they have grown up and are now mature. The strong waving of their long hair looks like the surges and flying of the dragon and phoenix, which embody the bold and straightforward nature of the Va women.
</h3><h3><br></h3> <h3>滿族舞蹈
祭祀舞蹈在滿族舞蹈中占有重要地位，包括“腰鈴舞”、“薩滿舞”等。舞蹈動作富于變化，特別是鈴聲與鼓聲的和諧配合，別具一格。祭祀舞蹈最初表達的是對神靈的崇敬、贊美、祈求之情，現(xiàn)在已經(jīng)發(fā)展成為舞臺藝術的一部分了。
Man Dancing
Ritual dances are important in Man Dancing, including the “Waist Bell Dance”, the “Shaman Dance” and many more, all with dynamic dancing movements, especially the nicely coordinated bell and drum that make the dances so unique. The ritual dances initially expressed respect to the Man’s god. The dances were used as a way to convey compliments and prayers. Now these have been developed into part of the stage performance.<br></h3> <h3>瑤族舞蹈
鼓是氣勢，舞是威風。有史以來，人類社會的鼓和舞是分不開的?，幾宓摹伴L鼓舞”有文武、大小之別，舞者可以一手執(zhí)鼓，一手拍擊，邊擊邊舞；也可以將鼓斜掛在肩上，雙手拍擊，演奏的方法很多，民間有“三十六套”之說。
Yao Dancing
The Drum is where the vigor comes from, and dancing is where the power comes from. Since the beginning of human society, the drum has been inseparable from the dance. The “Long-drum Dance” of the Yao has many forms from soft to rough and big to small. The dancers hold the drum with one hand and beat it with the other, dancing and beating or they can also hang the drum on one shoulder, so that both hands can beat the drum. There are many ways to play and the saying of “36 sets of playing” is popular among the people.<br></h3> <h3>
高山族舞蹈
“杵舞”從舂米勞動演變而來。跳“杵舞”時，婦女們頭戴鮮花，身穿艷麗的傳統(tǒng)服裝，手持木杵，環(huán)臼而立，隨著舂米的節(jié)奏齊聲唱和，歌聲、杵聲鏗鏘悅耳。這種原始的歌舞后來成為臺灣日月潭八景之一，名為“番家杵聲”。
Gaoshan Dancing
The “Pestle Dance” originated from the activity of rice pounding. Women with flowers in their hair and colorful traditional clothes hold the pestles and stand around the mortar, singing together with the rhythm of pounding. The pounding sounds powerful while at the same time the singing is soothing. In time this original dancing developed into one of the Eight Views of the Sun Moon Lake in Taiwan, which is known as “Fanjia Sound of the Pestle”.<br></h3> <h3>壯族舞蹈
壯族舞蹈源遠流長，著名的“花山崖壁畫”記錄了壯族先民慶祝豐收，祭祀水神的大型歌舞場面。壯族還定期舉行唱山歌會，“歌仙”劉三姐就是歌手的典型代表。歌舞不分家，著名的壯族舞蹈有“舂堂舞”、“采茶舞”等。
Zhuang Dancing
Zhuang dancing has a long history. The well-known “Flower Cliff Wall Painting” recorded the grand musical scene of the Zhuang nationality’s ancestors while celebrating the harvest and offering sacrifices to the water god. There are also folk song concerts held regularly. One particular singer, Liu-sanjie, is very popular. Songs and dances cannot be separated, and there are famous Zhuang dances like the “Chong Tang dance” and “Tea Plucking Dance”.<br></h3> <h3>柯爾克孜族舞蹈
柯爾克孜族主要聚居在新疆帕米爾高原與天山南麓地區(qū)。受草原文化熏陶，柯爾克孜族舞蹈具有游牧民族舞蹈的特點：熱情奔放、風趣滑稽、舞姿優(yōu)美。舞蹈大多來源于生活，如“花氈舞”、“擠奶舞”、“紡線舞”等等。
<br></h3><h3>Kirgiz Dancing
The Kirgiz mainly inhabit the Xinjiang Pamirs and the south side of the Tianshan mountains. Influenced by the prairie culture, Kirgiz dancing shares certain features with the dance of the horde with passion and enthusiasm, humor and fun, all combined into the beauty of dancing. Their dances originated from daily activities, which are reflected in the “Tapestry Dance”, the “Milking Dance” and the “Threading Dance”.<br></h3> <h3>俄羅斯族舞蹈
俄羅斯族舞蹈伴隨著手風琴的旋律，活潑開朗，熱情奔放，有獨舞、雙人舞、集體舞等?！疤咛の琛笔嵌砹_斯族風情獨具的舞蹈，婦女們邊跳邊揮手絹，男人們邊跳邊吹口哨，有時琴師也加入跳舞的行列邊拉邊跳，極具藝術感染力。
Russian Dancing
The Russian dancing is vivid and enthusiastic because people dance with the accompaniment of the accordion. There are solo dances, pair dances, and group dances. The “Tap Dance” is full of Russian amorous feeling with the women dancing and waving her handkerchiefs; the men dancing and whistling; and sometimes, even the accompanists join the performance, dancing while playing their instruments. The dancing atmosphere of the Russian people has a strong artistic attraction.<br></h3>