<h3 style="text-align: start; text-indent: 0px; "><span style="text-align: justify; text-indent: 42.5px;"> </span><span style="color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, 'Helvetica Neue', 'PingFang SC', 'Hiragino Sans GB', 'Microsoft YaHei UI', 'Microsoft YaHei', Arial, sans-serif; font-size: 20px; letter-spacing: 2px; line-height: 53.125px; text-align: justify; text-indent: 42.5px; white-space: normal; -webkit-text-size-adjust: 125%;">就具體的風(fēng)格、技法而言，要尤其注重《十七帖》的篆隸、章草、楷書筆意，中側(cè)互用、方圓互用的用筆特征等各個(gè)方面。</span></h3> <h3><span style="text-align: justify; text-indent: 42.5px; background-color: rgba(255, 255, 255, 0); color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; font-size: 28px; line-height: 1.8; white-space: normal; -webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); text-decoration: -webkit-letterpress;">王羲之書法具普遍之規(guī)律，故特殊性不強(qiáng)。十七帖頗具有楷法，學(xué)之立骨最重要。小王外拓豐富其連綿之氣勢(shì)，實(shí)開唐代狂草之先河。</span></h3><div style="color: rgba(0, 0, 0, 0.701961); font-family: UICTFontTextStyleBody; font-size: 28px; line-height: normal; white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0980392); text-decoration: -webkit-letterpress;"><span style="text-align: justify; text-indent: 42.5px; background-color: rgba(255, 255, 255, 0);">王羲之書法具普遍之規(guī)律，故特殊性不強(qiáng)。十七帖頗具有楷法，學(xué)之立骨最重要。小王外拓豐富其連綿之氣勢(shì)，實(shí)開唐代狂草之先河。</span></div><h3><span style="text-align: justify; text-indent: 42.5px; background-color: rgba(255, 255, 255, 0);">大王之書乃中和美之極致。所謂不激不厲而風(fēng)規(guī)自遠(yuǎn)也。而一切變化以之為基礎(chǔ)，才不致于墮入野怪而失去書法之傳統(tǒng)共性。</span></h3><h3><span style="text-align: justify; text-indent: 42.5px;">學(xué)草從大王入手、繼學(xué)小王，終習(xí)狂草，乃為佳徑</span><br></h3>