<h1><b><font color="#ff8a00">Week 5 – ‘An Introduction to Part II’</font></b></h1> <b><font color="#ff8a00">My thoughts this week</font></b> What attracts me most about my hometown next week is the sky. Our sunset clouds are particularly beautiful every day, with different colors and shapes.From the I felt a fairyland.I especially like to take many pictures of sunset clouds in the sky.<div><br></div><div>這個下星期我的家鄉(xiāng)最讓我吸引的就是天空了，我們這每天的晚霞都特別美麗，每天的晚霞顏色不一樣、形狀不一樣。從窗戶往外就感覺到了一個仙境。我特別喜歡就拍了很多關(guān)于天空晚霞的照片。<br></div> These are my usual pictures <b><font color="#ff8a00">My idea: </font></b><div><br></div><div>a few weeks before we learned vermeer painter, he likes to draw near the , many of his works scene occurred at the , we also found a lot of painter of indoor painting, they can choose the scene in edge, personally, I also like the s of the painting, I think the is connected to the indoor and outdoor media, I usually like at the staring blankly, thinking.I also think s are freedom or imprisonment, and I think very few people like to be locked in the house all the time, like prisoners.I think is a position yearning for freedom, we like to look at the scenery outside the , this time I would like to try to connect the outdoor or indoor things through s or doors and other media.<div><br></div><div>我的想法：前幾周我們學(xué)了維米爾畫家，他喜歡畫窗邊的人物，他的很多作品場景都發(fā)生在窗邊，我們也發(fā)現(xiàn)了很多畫室內(nèi)繪畫的畫家，他們都會選擇在窗邊這個場景，我個人也是很喜歡窗戶的繪畫，我覺得窗戶就是連接室內(nèi)與室外的媒介，我一般很喜歡在窗邊發(fā)呆，思考。我也認為窗戶是自由或者囚禁，我覺得很少有人喜歡一直悶在家里，就像囚禁犯人一樣。窗戶我覺得是一個向往自由的地位，我們喜歡看窗外的風(fēng)景，這次我就想嘗試一下，把戶外或者室內(nèi)的東西通過窗戶或者門等一些媒介聯(lián)系起來。<br></div></div> <div>These inspirations are also borrowed from David Hockney, whose collage photos are very infectious.It's like multiple changes in space and time.I also want to make some works with changes in space and time through collage of photos.<br></div>He often clips and collages many photos taken in the same space, or takes different parts of the same object, and then pieces them back to the original whole.Each work is composed of dozens or even hundreds of pieces, presenting a bizarre montage of space. <b><font color="#ff8a00">My practical work</font></b> <b><font color="#ff8a00">1</font></b> This is my first practical work. I photographed a with the original blue sky and white clouds outside. I used photoshop to cut out the scenery outside the .I'm superimposing the two by adding some of the people or things that I normally photograph.What I like most in this painting is the match between the green curtain and the tree I usually shoot. On the left is my neighbor's child. I think the whole match makes me feel the confusion inside and outside the .<div><br></div><div>這是我第一張實踐件作品，我拍攝了有一扇窗戶，外面是原本的藍天白云，我用了PS的手段將窗外的風(fēng)景摳掉。我在我加上我平常拍的一些人或者事物，將兩者重合在一起。這幅畫我最喜歡的是綠色的窗簾和我平常拍攝的一棵樹的搭配，左邊是我鄰居家小孩，我覺整個的搭配讓我覺得窗外室內(nèi)的混淆，就像我之前說的窗戶就像自由和囚禁，我的想法是即使我們在室內(nèi)，心依舊向往著自由。<br></div> <b><font color="#ff8a00">process</font></b> 2 One of my favorite things about this piece of practical work is the big we see looking out, and there's a inside, just like the way you look at the people on the bridge, and the people on the bridge look at you.<div><br></div><div>這張實踐作品我最喜歡的一點就是我們看到的大窗戶看外面，里面還有一扇窗，就像你看橋上的人，橋上的人看你的感覺。<br></div> <b><font color="#ff8a00">process</font></b> 3 This practical work is I feel like a Japanese anime<i> Your name</i>.<i>Your Name</i>, an animated film written, written and directed by Makoto Shinkai, tells the story of two teenagers from different time and space who discover that they suddenly exchange bodies one day and then try to travel through time to find each other to prevent an impending disaster.I shot the staircase at the corner, which made me feel like the feeling of the hero and the heroine looking at each other in the staircase in the cartoon, the exchange of two spacetime and two different lives.<div><br></div><div>這張實踐作品是我感覺像日本一個動漫 你的名字。《你的名字》動畫電影由新海誠創(chuàng)作、編寫和執(zhí)導(dǎo)，講述了兩個來自不同時空的少男少女發(fā)現(xiàn)兩人突然有一天交換了身體，并在后來努力穿越時空尋找對方阻止一場即將爆發(fā)的災(zāi)難的故事。我拍攝這個轉(zhuǎn)角的樓梯讓我覺得像動漫里男女主在樓梯看對方的感覺，兩個時空的交換，兩個不同的人生。<br></div> <b><font color="#ff8a00">process</font></b> I used these two pictures of the sky <b><font color="#ff8a00">4</font></b> Three kinds of trying This is one of my favorite practical works. These are my different attempts. In the picture, two old people are looking out.I think it's a story. What do these two old men see so spellbound?I put in a picture of the sky that I've been taking over the last few days, and I added a door to make them our view of them from the inside, which I thought was interesting.<div><br></div><div>這是我最喜歡的一張實踐作品，這幾張分別是我不同的嘗試，照片中兩位老人看著外面，那時我就想拍下來。我覺得這是有故事性的，這兩位老人看什么看的這么入迷？我在里面放了一張我這幾天拍的天空，又加了一扇門，把他們成為我們的從門里面看他們的視角，我覺得很有趣。<br></div> <h1><b><font color="#ff8a00">Week 5 </font></b><div><b><font color="#ff8a00">Practical class : Means of Manipulation</font></b></div></h1> <h1><b><font color="#ff8a00">Deconstruction and Re-construction</font></b></h1><h1><b><font color="#ff8a00"><br></font></b></h1><h1><b><font color="#ff8a00">解構(gòu)與重構(gòu)</font></b><br></h1> By deconstructing imagery and pieces of work and then reassembling and re-constructing them with other pieces of work in new ways, we are able to generate new, interesting compositions and ideas from which we can create other work from.<br><div><br></div><div>通過解構(gòu)圖像和作品，然后以新的方式將它們與其他作品重新組合和構(gòu)建，我們能夠生成新的、有趣的作品和想法，從中我們可以創(chuàng)作其他作品。<br></div> <b><font color="#ff8a00">Task 1</font></b>: Choose 2 drawings or pieces of work that you completed from Part I of the module. This is the work that you will ‘deconstruct’.<div><br></div><div>從本模塊的第一部分中選擇兩張您完成的圖紙或作品。這是你要“解構(gòu)”的作品。<br></div> <b><font color="#ff8a00">Task 2</font></b>: Then carefully ‘deconstruct’ your drawing by cutting it into lots of smaller parts. Choose the shapes you cut your drawings into carefully.<div><br></div><div>然后小心地“解構(gòu)”你的畫，把它切成許多小的部分。請仔細選擇將繪圖切割成的形狀。<br></div> <font color="#ff8a00"><b>Task 3:</b></font><br>Then ’re-construct’ your drawings by reassembling the small parts into a new piece of art. Think about how the shapes fit together and how you can generate a sense of composition by joining the parts of the different drawings together. <div><br>然后通過將小部分重新組合成一件新的藝術(shù)品來“重新構(gòu)建”你的繪畫。想一想這些形狀是如何組合在一起的，想一想你如何通過將不同圖形的各個部分連接在一起來產(chǎn)生一種構(gòu)圖的感覺。<br></div> <h1><b><font color="#ff8a00">Scaling Up and Scaling Down</font></b><br></h1> Task 1: Take some photographs of some everyday objects that you have around your home. Try and ‘zoom-in’ as close as you can to some details of your objects <div><br></div><div>拍一些你家周圍日常用品的照片。盡量“放大”對象的一些細節(jié)<br></div> Task 3: For this task, choose an even closer, smaller detail of your photograph and really ‘zoom-in’. This time, instead of making small drawings, On A3 paper, make a big painting of your zoomed-in area. Just use black paint or ink to do this.<div><br>對于這項任務(wù)，選擇一個更近，更小的細節(jié)，你的照片和真正的“放大”。這一次，不要在A3紙上畫小圖，而是畫一幅放大區(qū)域的大畫。用黑色油漆或墨水就行了。<br></div> <h1><b><font color="#ff8a00">Week 6: Means of Manipulation</font></b></h1> <b><font color="#ff8a00">Tracing and Overlaying</font></b> One of the things that really fascinated me about this exercise was the on the right, the black bars like when people were quarantined at home during this outbreak.You can't go out. You have to stay at home.The in the picture is a symbol of captivity. <b><font color="#ff8a00">Model Making and Drawing</font></b> Task 1: Choose an everyday object from around your home. Tryand choose something with an element of interest to it. Consider; texture, pattern, tone when doing this.<br>從你家周圍選擇一件日常用品。試著選擇一些對它感興趣的西。做這個的時候要考慮：紋理，圖案，色調(diào)。 Task 2: Take a photograph of a close-up detail of your object. Again, ensure there is an element of interest to this.<br>給你的物體拍張?zhí)貙懻掌?。再次，確保有一個感興趣的因素。 Task 3: Create a number of small thumbnail drawings exploring your photograph. These examples are exploring the pattern from the chair through smaller studies and larger more detailed sketches. <br>創(chuàng)建一些小的縮略圖來瀏覽您的照片。這些例子正在通過更<br>小的研究和更詳細的草圖來探索椅子上的圖案。 Task 4: Next, create a 3D model or small sculpture exploring your original photograph and subsequent drawings. We are not looking for a beautiful finished sculpture here, just something that explores our earlier source ,material and teaches us something about our subject. You could on just a small area of your photograph or drawings or the whole drawing. Think about using whatever material you have to make these. You could use; paper; cardboard; wire; plastic; metal; clay; paint; ink; or whatever materials you can <br>find that allow you to explore your piece in 3-dimensions. <br>下一步，創(chuàng)建一個三維模型或小雕塑探索你的原始照片和隨后的圖紙。我們不是在尋找一個漂亮的雕塑成品，只是一些探索我們早期的原始材料，教我們一些關(guān)于我們的主題。你可以把注意力集中在照片或圖畫的一小部分或整個圖畫上。想一想用什么材料做這些。你可以使用；紙；硬紙板；電線；塑料；金屬；粘土；油漆；墨水；或任何你能找到的材料，讓你在三維空間中探索你的作品。 <p>Task 5: Next, Make a new drawing based on your model. Again, you could choose just a small area of your model or the whole model. Choose something that you find interesting, and that you think could produce an interesting, original drawing from. </p><p>接下來，根據(jù)模型繪制新圖形。同樣，您可以只選擇模型的一小部分或整個模型。選擇一些你覺得有趣的，并且你認為可以從中產(chǎn)生有趣的，原創(chuàng)的畫。</p> <p>I've found that the spiral is a pattern that we see all the time. These two photos give me the feeling of loneliness. There are spiral patterns in the empty field, which makes me feel lonely and hesitant. It's like being stuck in a cycle, hovering and hesitating. I feel lonely looking.</p> The spiral pattern in the painting represents the waves, which push up against the sand. It feels romantic and beautiful <b><font color="#ff8a00">My thoughts:</font></b><br><br>This training made me try to make models. I was thinking about starting with models. I just wanted to add something new to the model. Open the model and bring a different feeling. <div>Open the original model and look at the acrylic marks left on it<br></div>This is the texture of the acrylic paint in the water. Add some elements and patterns.Enrich the picture <b><font color="#ff8a00">Final product</font></b> This is the texture of the acrylic paint in the water. I'm going to do it again with acrylic, and I'm going to add some patterns, dots, and lines. ' <h1><font color="#ff8a00"><b>week 7</b></font></h1> <font color="#ff8a00"><b>The preparation of the final work</b></font> <b><font color="#ff8a00">I borrowed from artists -Michael klein</font></b><br> <b><font color="#ff8a00">Reasons for reference</font></b><br><div><b><font color="#ff8a00"><br></font></b></div><div>I like his works very much. No matter in color or shape, they are very comfortable to look at.The indispensable factor in his pictures is the light and shadow. The light hits the objects, creating a beautiful atmosphere.I like the scene he chose in his picture.The scenes he chooses are like those we see in our lives, like flowers on a table somewhere in our home.Blue-violet or orange-yellow are tones That I often use or love.<br><br>我很喜歡他的作品，不管是從色調(diào)上還是造型上，都是讓人看著很舒服的繪畫。他的畫面中不可缺少的因素就是光影上，光線打到物品上，制造的氛圍很唯美。我喜歡他畫面中選擇的場景。他畫中選擇的場景就好像我們生活中常會出現(xiàn)場景，就像家里某處靠窗的桌子上放置的鮮花。藍紫色調(diào)或者橙黃色調(diào)都是我常常運用到或者很喜歡的一種色調(diào)。<br></div> <b><font color="#ff8a00">I try to</font></b><br> <h1><b><font color="#ff8a00">bring forth new ideas</font></b><br></h1> It's like imprisoning us, and I want to try to express this feeling of confinement.I just thought about the last few weeks when we were painting from a view out.At that time, the community I lived in was equipped with security nets, and the picture I drew at that time felt like we were isolated from the epidemic and trapped at home.<br><br>因為疫情的原因，我們這半年一直困在家里，全世界為了隔絕疫情把自己關(guān)在家里。就好像是囚禁我們，我想嘗試一下把這禁閉的感覺表達出來。我就想到前幾周我們繪畫的把從窗戶的視角看外面。那時我住的小區(qū)是各個裝防盜網(wǎng)，當時我畫的畫面感覺就像疫情隔離的我們，困在家里。 <font color="#ff8a00"><b>These black bars I'm going to add later.Use collage.Change the emotional expression and thoughts of the whole picture.</b></font><br> <h1><b><font color="#ff8a00">My plan</font></b><br></h1> <font color="#ff8a00">Plan 1</font><br> This picture is about the of Chinese style that I am looking for. The of Chinese style is the black box of my theme this time.I hope to combine elements from the East in this painting.<br> <b><font color="#ff8a00"> plan 1</font></b><br> <b><font color="#ff8a00">Plan 2</font></b> I was inspired by MARCEL DUCHAMP's <i>FRESH </i>.When I look at this work, I often think, what does this look like when it opens?What's in the ?Are there any secrets in the black screen?Then I searched on the Internet,Has no intention of found this similar , the difference is, it is open to.I just wanted to do some tricks to show you what it's like to look at an indoor environment from the outside through a .I want to express my imagination about Duchamp's <i>FRESH </i>, which is also my thought .<br>這個門我的靈感來源于MARCEL DUCHAMP, FRESH 。我看這個作品時，我常常會想，這扇窗戶打開是怎么樣的？窗戶里面有什么？黑色的屏風(fēng)里是有什么秘密嗎？然后我就上網(wǎng)查資料，無意間發(fā)現(xiàn)這個類似的窗戶，不同的是，它是打開來的。我就想通過一些手段去展示一下從室外透過窗戶看室內(nèi)的環(huán)境。想表達我對杜尚的作品FRESH ，我對它的想象，也是自我的思想表達。<br> It's a little bit like Matisse's <i>Open </i>.I combined this with this painting that I did.I think of Matisse.The difference is that my opens on the outside, but the view is still inside.The master Matisse opened inward.<br>What I want to express in this work is a kind of peace and beauty of life. Sometimes we often feel that God has closed a to us, and if we can find a , it will be wonderful.We can see the flowers in the vase in the room, and also in the resting place.Life is good!<br><div><br></div><div>有點像馬蒂斯的畫，我把它和我畫的這幅畫結(jié)合起來。我想到了馬蒂斯。不同之處在于，我的窗戶是向外打開的，但視野仍然是向內(nèi)的。馬蒂斯大師向內(nèi)打開了門。<br>我想通過這個作品表達的是一種生活的平和和美。有時候我們常常覺得上帝對我們關(guān)閉了門，如果我們能找到了，那就太好了。我們可以在房間的花瓶里看到花，在休息的地方也可以看到。生活是美好的!<br></div> <b><font color="#ff8a00">My plan</font></b><div><b><font color="#ff8a00"> Plan 3</font></b></div> And the reason I chose this black box, it's kind of similar to what I did with the .What I wanted to express at the time was the scene of isolation from the epidemic, the scene of looking out is broken.The reason Why I chose this black box and this one also has Chinese elements.<br>The whole picture is depressed because of the black bar . The regular black bar placed on the picture makes people feel breathless.Like this outbreak, people gave up their freedom and chose to be quarantined at home.For a place to breathe freely.<br><div><br></div><div>我選擇這個黑盒子的原因，有點類似于我當時所做的我想要表達的是遠離疫情的場景，向外看的場景被打破了。我選擇這個黑盒子的原因，這個也是有中國元素的。<br>因為黑色條，整個畫面都很壓抑。在畫面上放置的常規(guī)黑色條讓人感到窒息。像這次疫情一樣，人們放棄了自由，選擇了在家隔離。一個可以自由呼吸的地方。<br></div> <b><font color="#ff8a00">I borrowed from artists-</font></b><font color="#ff8a00"><b>PIERRE SOULAGES</b></font> PIERRE SOULAGES said I love black, its strength, its presence, its passion.Its powerful contrast gives all colors a sense of presence.When it lights the darkest places, it gives greatness to the darkness.Black has an unexpected, overlooked possibility, And I'm going to explore it.<div><br></div><div>蘇拉吉說：我愛黑色，愛它的力度，它的存在感，它的激情。其強大的對比能力能賦予一切色彩以存在感。當它點亮最黑暗的地方，就給與了黑暗以偉大。黑色有著令人意想不到的，被我忽略的可能，我要去發(fā)掘它。<br></div> I read his words and I was inspired.I also want to use the color of black to express the depressed mood and life of people during the epidemic.Black is powerful, and as PIERRE SOULAGES says, it gives all colors a presence.I use black bars to express my depressed mood.<div><br></div><div>我看了他這句話我受到一些啟發(fā)。我也想運用黑色這種色彩，去表達疫情期間人們壓抑的心情和生活。黑色是具有力量的，就像PIERRE SOULAGES他說的，他能賦予一切色彩以存在感。我運用黑色的條框這種顏色也是想表達壓抑的心情。<br></div> This is my favorite of the three paintings.Like a half-opened door, afraid to go out and come in, through some cracks to observe the outside.More like longing for the but afraid to go outside.Like an epidemic, we all want to be able to play outdoors freely, but this virus has forced us to stay at home and look out the .This is looking forward to a better future!<br><br>這是我在這三副中比較喜歡的一幅畫。就像半推開的門，不敢出去也不敢進來，透過一些縫隙去觀察外面。更像是向往窗外但卻害怕去到窗外。就像疫情，我們每個人都向往著能夠自由的去戶外游玩，但這個病毒讓我們不得不關(guān)在家，透過窗戶看窗外。這是向往著美好的未來吧！ <b><font color="#ff8a00">Two paintings chosen for the time being</font></b> <b><font color="#ff8a00">This is my last choice of artwork</font></b> Name:Zhang Jinmei <br>Title of r artwork：:<i>Isolation</i><br>The date it was made:2019.6.23<br>Size:389mm*546mm<br>Technique:Gouache on the paper jam was made using 、Photoshop<br>Genre:painting <i>Isolation</i> is a combination of gouache, propylene and Photoshop.Its technical approach was inspired by The <i>Peinture</i> series of abstract paintings by PIERRE SOULAGES.In his work, outrenoir, endowed by the artist himself, uses the color of black to express his inner thoughts and feelings. What I want to express in this work is that during the epidemic, people all over the world gave up the freedom to go outdoors and chose to isolate themselves indoors.I used a traditional Chinese black as the for my painting.The in the picture is isolation, which means forced home isolation during the epidemic.It's depressing, it's uncomfortable for people to see.Inside the is a warm picture. I use soft colors, the vase is filled with flowers, which is flawless and white. On the table, The background of which Is the leaf that I use dots.This picture is my idea of a beautiful life.I hope this picture can show how much the epidemic has cost humanity.But we are still brave to go forward, because open this , we can see the beautiful scenery.<br><br><br>隔離是一幅由水粉、丙烯和運用Photoshop手段的綜合性繪畫。它的技術(shù)方法受到了PIERRE SOULAGES的抽象繪畫系列Peinture的啟發(fā)。在他的作品中，藝術(shù)家自己賦予的outrenoir，運用黑色這種顏色來表達內(nèi)心的思想感情，這副作品我想表達的是，在這個疫情期間，全世界的人們放棄了能夠自由去室外活動，選擇在室內(nèi)隔離。我運用具有中國傳統(tǒng)黑色條框作為我這副畫的窗戶。畫中這個窗戶是代表隔離，代表這個疫情中認為被迫在家隔離。它是壓抑的，是讓人們看的不舒服的。這窗子里面是一個溫馨的畫面，我采用柔和的色彩，花瓶里插滿了鮮花，潔白無暇，擺放在桌子上背景我用點彩的代表樹葉。這個畫面就是我心目中美好的生活的樣子。我希望能通過這幅畫能表達這個疫情讓人類損失了多少。但我們依舊勇敢前行，因為打開這扇窗，我們就能看到美麗的風(fēng)景。