<p class="ql-block" style="text-align:center;"><span style="font-size:15px;">馮 偉</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 中國(guó)美術(shù)家協(xié)會(huì)會(huì)員</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 中國(guó)攝影家協(xié)會(huì)會(huì)員</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 浙江國(guó)際美術(shù)交流協(xié)會(huì)會(huì)員</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 北京攝影家協(xié)會(huì)會(huì)員</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 中國(guó)版協(xié)裝幀藝術(shù)委員會(huì)會(huì)員。</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 中國(guó)版協(xié)連環(huán)畫(huà)藝委會(huì)理事。</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 中國(guó)東方文化研究會(huì)連環(huán)畫(huà)分會(huì)理事。</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 中國(guó)民俗攝影家協(xié)會(huì)會(huì)士。</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 中國(guó)民主促進(jìn)會(huì)會(huì)員</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 1949年出生</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">就讀于中央美術(shù)學(xué)院</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《中國(guó)新聞出版報(bào)》任美術(shù)攝影組組長(zhǎng)、</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《中國(guó)連環(huán)畫(huà)出版社》第二編輯主任</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《卡通城》漫畫(huà)雜志 任主編</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《幻想》雜志資深顧問(wèn)。</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《少年漫畫(huà)》編委</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《攝影世界》雜志特約攝影師。 </span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> </span>Feng Wei</p><p class="ql-block" style="text-align:center;">Member of China Artists Association</p><p class="ql-block" style="text-align:center;">Member of China Photographers Association</p><p class="ql-block" style="text-align:center;">Member of Zhejiang International Art Exchange Association</p><p class="ql-block" style="text-align:center;">Member of Beijing Photographers Association</p><p class="ql-block" style="text-align:center;">Member of the binding art committee of China Publishing Association.</p><p class="ql-block" style="text-align:center;">Director of Comic Art Committee of China Publishing Association.</p><p class="ql-block" style="text-align:center;">Director of comic strip branch of China Oriental Culture Research Association.</p><p class="ql-block" style="text-align:center;">Member of China Folk Photographers Association.</p><p class="ql-block" style="text-align:center;">Member of China Association for the promotion of democracy</p><p class="ql-block" style="text-align:center;">Born in 1949 He studied at the Central Academy of fine arts</p><p class="ql-block" style="text-align:center;">China Press and publication daily served as the head of the art photography group</p><p class="ql-block" style="text-align:center;">The second editorial director of China comic book publishing house</p><p class="ql-block" style="text-align:center;">Editor in chief of cartoon city comic magazine</p><p class="ql-block" style="text-align:center;">Senior Consultant of fantasy magazine.</p><p class="ql-block" style="text-align:center;">Editorial board member of juvenile comics</p><p class="ql-block" style="text-align:center;">Special photographer of photography world magazine.</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《世界市場(chǎng)開(kāi)拓指南》榮獲1999年第五屆全國(guó)書(shū)籍裝幀藝術(shù)展覽優(yōu)秀獎(jiǎng)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《當(dāng)代詩(shī)歌潮流回顧寫(xiě)作藝術(shù)借鑒》《世界市場(chǎng)開(kāi)拓指南》入選1999年第五屆全國(guó)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">書(shū)籍裝幀藝術(shù)展覽</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《珍貴動(dòng)物》插圖4幅入選1988年全國(guó)兒童</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">美術(shù)作品展覽</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">主編《小小動(dòng)物園》1991年在第三屆向全國(guó)婦女兒童推薦最佳優(yōu)秀圖書(shū)活動(dòng)中，評(píng)為優(yōu)秀圖書(shū)。</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">主編《哈哈博士科學(xué)連環(huán)畫(huà)庫(kù)》1993年獲第二屆新聞出版署直屬出版社優(yōu)秀圖書(shū)編輯二等獎(jiǎng)。</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">1994年又榮獲第七屆中國(guó)圖書(shū)獎(jiǎng).</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 2007年6月《情緣西藏-寧波籍?dāng)z影家馮偉作品展》在寧波美術(shù)館展出，5幅攝影作品被</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">寧波美術(shù)館收藏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 2007年國(guó)畫(huà)《賽牦牛圖 》在“我的雪頓節(jié)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">作品大賽”中獲書(shū)畫(huà)組一等獎(jiǎng)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《幸福生活》等四幅攝影作品入選2009年</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">西藏珠穆 朗瑪攝影大展 </span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 1995年中央春節(jié)晚會(huì)吉祥物設(shè)計(jì)獲獎(jiǎng)?wù)摺?lt;/span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 1990年參加繪畫(huà)的《世界通話名著（連環(huán)畫(huà)）》獲第三屆“中國(guó)圖書(shū)獎(jiǎng)”</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 2011年9月國(guó)畫(huà)《放牧圖》被</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">中國(guó)美術(shù)總社收藏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 2014年水墨組畫(huà)《天地之間》入選</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">中國(guó)（臨沂）國(guó)際藝術(shù)大展</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 2015年11月國(guó)畫(huà)《春》，《天際》參加加拿大國(guó)際中國(guó)書(shū)畫(huà)名家展被多倫多中華文化中心收藏</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 2016年6月國(guó)畫(huà)《風(fēng)云際會(huì)》俄羅斯克拉斯諾亞爾斯克市舉辦的</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">第5屆亞洲音樂(lè)藝術(shù)節(jié)獲一等獎(jiǎng)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《去拍西藏》2012年9月在浙江攝影出版社出版</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《西藏秘境》2010年6月在中國(guó)攝影出版社出版</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《西藏秘境》2006年8月在臺(tái)灣源樺出版公司出版</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《情緣西藏》2004年10月在中國(guó)青年出版社出版</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">《去拍西藏》2012年9月在浙江攝影出版社出版</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 1995年中央春節(jié)晚會(huì)吉祥物設(shè)計(jì)獲獎(jiǎng)?wù)摺?lt;/span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;"> 作品曾多次參加全國(guó)性美展、影展。</span></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><span style="font-size:22px;">?馮偉印象</span></p><p class="ql-block"> </p><p class="ql-block"> </p><p class="ql-block"> 與馮偉兄相識(shí)已近四十載，四十年前我們?cè)趯幉ǘ荚鴰煆挠谕跏厝A老師學(xué)畫(huà)。春去秋來(lái)，歲月匆匆，一晃我們都已成了60、70后老夫矣，人生如夢(mèng)！</p><p class="ql-block"> 平日里偶爾去他的畫(huà)室喝茶、看畫(huà)、聊天，最近看到他有一些很“特別“的畫(huà)作呈現(xiàn)，甚是欽佩和歡喜。馮偉兄自小生長(zhǎng)在一個(gè)干部家庭，從我認(rèn)識(shí)他時(shí)就是一個(gè)性情開(kāi)朗、愛(ài)好寬泛的文藝青年，書(shū)法、繪畫(huà)、攝影樣樣精通且都玩的不同一般，這在同輩人中十分難得和令人羨慕。</p><p class="ql-block"> 我說(shuō)他作品“特別”，主要是指他近期創(chuàng)作完成的一批水墨西藏山水作品，其“特別”處在于他以不同尋常的視角和非司空見(jiàn)慣的手法表現(xiàn)了西藏大山大水的神秘意境以及由此而凸顯的大寫(xiě)意水墨這一傳統(tǒng)中國(guó)畫(huà)語(yǔ)言在表現(xiàn)現(xiàn)代山水詩(shī)意空間上的意趣和努力。這種“特別”在個(gè)人有時(shí)雖然只是一點(diǎn)點(diǎn)但比重復(fù)他人丶重復(fù)自然高級(jí)一千倍一萬(wàn)倍。</p><p class="ql-block"> 記得當(dāng)年王守華老師在給我們講解石壺山水時(shí)特別強(qiáng)調(diào)石壺筆墨的“趣味”性，畫(huà)沒(méi)有趣味是死畫(huà)，筆墨沒(méi)有趣味是呆筆墨。從這一點(diǎn)上說(shuō)馮偉兄是深知個(gè)中三昧的，不容易！</p><p class="ql-block"> </p><p class="ql-block" style="text-align:right;"><span style="font-size:15px;">祁恩進(jìn)</span></p><p class="ql-block" style="text-align:right;"><span style="font-size:15px;"> 2019. 8.29</span></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block">Feng Wei's impression</p><p class="ql-block">We have known brother Feng Wei for nearly 40 years. Forty years ago, we learned painting from Mr. Wang Shouhua in Ningbo. Spring goes and autumn comes, and the years are in a hurry. In a flash, we have become post-60s and Post-70s old men. Life is like a dream!</p><p class="ql-block">On weekdays, I occasionally go to his studio to drink tea, watch paintings and chat. Recently, I saw that he has some very "special" "I admire and rejoice in the presentation of my paintings. Brother Feng Wei grew up in a cadre family when he was young. From the time I knew him, he was a young man of literature and art with cheerful temperament and broad hobbies. He was proficient in calligraphy, painting and photography and played different games, which was very difficult and enviable among his peers.</p><p class="ql-block">When I say that his works are "special", I mainly refer to a batch of ink Tibetan landscape works he has recently created. The "special" lies in his unusual perspective and non common means to express the mysterious artistic conception of mountains and waters in Tibet and the interest and efforts of capital meaning ink, a traditional Chinese painting language, in expressing the poetic space of modern landscape "Special" is sometimes only a little, but it is 1000 times and 10000 times higher than repeating others and nature.</p><p class="ql-block">I remember when Mr. Wang Shouhua explained Shihu landscape to us, he especially emphasized the "interest" of Shihu pen and ink. Painting without interest is dead painting, and pen and ink without interest is dead pen and ink. From this point of view, brother Feng Wei knows the samadhi, which is not easy!</p><p class="ql-block" style="text-align:right;">Qi Enjin</p><p class="ql-block" style="text-align:right;">2019. 8.29</p><p class="ql-block" style="text-align:right;"><br></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><span style="font-size:22px;">畫(huà)家眼光 影家傳奇</span></p><p class="ql-block"><br></p><p class="ql-block">在光和作用下大自然的非常之境成了變幻中的一瞬，加之天時(shí)地利人和的綜合作用，給攝影藝術(shù)蒙上了神秘莫測(cè)的面紗，充滿著“謀事在人，成事在天”式的成敗變數(shù)。</p><p class="ql-block">因此，攝影藝術(shù)需要發(fā)現(xiàn)美的眼光和再現(xiàn)美的方式，也須有獨(dú)特的體魄與非凡的膽識(shí)。當(dāng)照相技術(shù)遇上了善于發(fā)現(xiàn)美的眼光，造化之美被凝固成了種種難以言傳的永恒。然而，攝影家對(duì)于美的發(fā)現(xiàn)與把握又受制于季節(jié)性光和作用。對(duì)于攝影家來(lái)說(shuō)，天下奇觀及優(yōu)美的動(dòng)態(tài)表情，是一種可遇而不可期的機(jī)緣巧合。景致在四季更替與朝暮變化中每每呈現(xiàn)出截然不同的意境內(nèi)涵，何況是捕捉奇幻景象和精彩的生活瞬間，更要有足夠的勇氣和毅力去跋山涉水，把握最能揭示山川表情的一面。</p><p class="ql-block">在照相機(jī)不甚普及的年代，攝影工作大都緣于工作分配，攝影者多缺乏審美意識(shí)，且多不明畫(huà)理。直到畫(huà)畫(huà)的人將審美感受記錄在膠片里的時(shí)候，才一掃攝影中的美學(xué)盲區(qū)。作為收集繪畫(huà)素材的便捷手段，畫(huà)家出身的馮偉拿起相機(jī)深入藏區(qū)記錄生活感受。未曾料想，一發(fā)而不能自己，竟成了藝術(shù)攝影的拓荒者。集畫(huà)家與攝影家于一身的馮偉，自從步入西藏的那天起，便折服于雪域高原的神奇與美麗，從此再也停不下蹈險(xiǎn)求真的步履，一心要將所見(jiàn)所感呈現(xiàn)于不同尋常的影照之中。于是，身居京城的畫(huà)家擱筆停業(yè)，數(shù)整行囊，九進(jìn)西藏，數(shù)次死里逃生，像是于生死劫難中取經(jīng)的唐僧，在捕捉大自然神奇瞬間的同時(shí)，也留下了一個(gè)個(gè)歷險(xiǎn)傳奇。當(dāng)數(shù)以千記的美景呈現(xiàn)人前的時(shí)候，人跡罕至處也留下了他永恒的人生懷想，故其影作大多帶有非凡的情感憶緒。</p><p class="ql-block">馮偉多愁善感，對(duì)于美的形態(tài)有著獨(dú)特的敏感，而感知美的意緒卻常常難以持久，抑或時(shí)而消散于跳躍性思維之中。也許正是此等與眾不同的獨(dú)特潛質(zhì)恰好暗合了攝影創(chuàng)作的特性，對(duì)于美的敏銳洞察力在照相快門(mén)的喀嚓聲中一一凝固成了曠世奇觀。</p><p class="ql-block">但凡人物畫(huà)家都有以速寫(xiě)捕捉人物動(dòng)態(tài)表情和生活場(chǎng)景的能力，人物畫(huà)家出身的馮偉深諳其中理數(shù)，對(duì)于把握最能體現(xiàn)生活化情狀的動(dòng)態(tài)表情，成了他揭示人物內(nèi)心世界的法寶。于是趁對(duì)象不經(jīng)意時(shí)抓拍，而使所攝人物的瞬間性情態(tài)大都生動(dòng)自然，且具濃郁的生活氣息，絕無(wú)人物擺拍中的匠氣。以至于觀者在與影照中的人物相對(duì)而視時(shí)，總有一種覿面相遇似的感覺(jué)。這在給予觀者一絲絲親切之感的同時(shí)，也激發(fā)了人們的神往之情，此即馮偉西藏人物攝影之所以具有動(dòng)人魅力的原委所在。</p><p class="ql-block">雪域高原的神奇在于變幻莫測(cè)的內(nèi)在魅力，在于冰清玉潔式的高雅氣質(zhì)。倘若僅僅局限于外形作浮光獵影式的抓拍往往流于膚淺，無(wú)以揭示其內(nèi)在的美妙。也只有深入腹地與之心靈對(duì)語(yǔ)，才能感受其神圣的一面。因而有志為其傳神寫(xiě)照的攝影家，不僅要有善于發(fā)現(xiàn)美的眼光和吃苦耐勞的體魄，也須有萬(wàn)死不辭的探險(xiǎn)精神。畫(huà)家出身的攝影家馮偉，有著豐富的人生閱歷和不同尋常的歷險(xiǎn)經(jīng)歷，長(zhǎng)期的生活歷練造就了他深入雪域高原發(fā)現(xiàn)美、凝固美的能力。臨危不懼、迎難而上的敬業(yè)精神使之有幸感受到藏區(qū)深處的美妙和神奇，并將其一一幻化成有別于同類(lèi)題材的攝影佳作，使得神奇的瞬間成為了美妙的永恒。這是馮偉所攝景照勝于同時(shí)代攝影家的可貴之處，也是他不負(fù)此生使命的欣慰之處。</p><p class="ql-block">因此，倘若以報(bào)告文學(xué)式的紀(jì)實(shí)手法回顧馮偉的攝影經(jīng)歷，他九死一生的過(guò)程似乎更其動(dòng)人。數(shù)千幅風(fēng)光奇觀和人物生活景照，一旦與他富有傳奇色彩的攝影經(jīng)歷聯(lián)系在一起，使人不由地聯(lián)想其小打小鬧式的人物畫(huà)筆墨小品，以及善于發(fā)現(xiàn)美卻思維跳躍的藝術(shù)秉賦，仿佛其旺盛的生命力原本就是為雪域高原造像而生的。當(dāng)西藏的山山水水、風(fēng)土人情被凝固成一個(gè)又一個(gè)神圣的畫(huà)面而成為永恒之時(shí)，馮偉深入西藏腹地險(xiǎn)象環(huán)生的拍攝經(jīng)歷便有了不同尋常的生命意義，影作所現(xiàn)也就有了獨(dú)特的人格魅力。</p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block">As a convenient means of collecting painting materials, Feng Wei, a painter, took a camera and went deep into the Tibetan area to record his life feelings. Unexpectedly, he became a pioneer of art photography. Feng Wei, a painter and photographer, has been impressed by its magic and beauty since he entered Tibet. From then on, he can no longer stop taking risks and seeking truth, and is bent on presenting what he sees and feels in unusual photos. As a result, painters living in the capital stopped writing, closed business, reorganized their bags, entered Tibet six times and escaped from death several times. Like Tang monks who learned from life and death, they also left adventure stories while capturing the magical moments of nature. When thousands of beautiful scenes are presented to people, the inaccessible places leave his eternal thoughts of life, and his works are full of extraordinary emotional memories. Feng Wei is sentimental and has a unique sensitivity to the form of beauty, but the feeling of perceiving beauty is often difficult to last, or even dissipated in jumping thinking. However, these unique potentials coincide with the characteristics of photographic creation, and the keen insight into beauty is successfully realized in the click of the photographic shutter. Most figure painters have the ability to capture characters' dynamic expressions and life scenes with sketches. Feng Wei, who was born as a figure painter, is well versed in the theory of numbers. His grasp of the dynamic table that can best reflect the life situation has become an important magic weapon for him to reveal the characters' inner world. The instantaneous modality of the photographed characters is mostly captured inadvertently by the object, without the craftsmanship of portrait photography. So that when the viewer looks at the characters in the shadow, there is always a feeling of meeting each other. This not only brings a sense of intimacy to the viewer, but also stimulates people's yearning, which is the charm of Feng Wei's Tibetan figure photography. The magic of the snow covered plateau lies in its unpredictable internal charm and its elegant temperament. Only limited to the external deion, can we reveal its inner beauty. Only by going deep into the hinterland and talking to its soul, can we feel its rich side. Photographers who are willing to portray them vividly should not only have a good eye for discovering beauty and a hard-working physique, but also have an adventurous spirit of never giving up. Feng Wei, a photographer born as a painter, has rich life experience and practical experience. His long-term life experience has created his ability to go deep into the snow plateau to discover and create beauty, especially his professionalism to face danger and difficulties, so that he is lucky to feel the beauty and magic in the depths of Tibet, and turn them into photographic works one by one to make them eternal beauty. This is the value of his superiority over his contemporaries, and it is also the reason why he did not disgrace his mission in this life. If we look back on Feng Wei's photographic experience with reportage, the process of his near death seems to be more moving. Thousands of photos of scenery wonders and people's lives, once linked with his legendary photography experience, make people think like this: Feng Wei's previous painting creation, small-scale photography experiments, artistic temperament good at discovering beauty but difficult to last, and vigorous vitality seem to be all kinds of preparations for statues on the snowy plateau. When the mountains, rivers, customs and customs of Tibet are solidified into eternal, Feng Wei's painstaking efforts to photography in Tibet have the meaning of life, and his films are also full of profound personality charm.</p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block">逆境的歷練對(duì)于成就一個(gè)人的事業(yè)而言，其經(jīng)歷本身即是一筆豐厚的精神財(cái)富。此理之于作家如此，畫(huà)家如此，其他藝術(shù)家亦復(fù)如是。馮偉為攝影創(chuàng)作就有過(guò)種種傳奇經(jīng)歷，孤獨(dú)無(wú)援的長(zhǎng)途跋涉、九死一生的拍攝過(guò)程都沒(méi)使之膽怯與徬惶，相反使之幡然頓悟，懂得了生命的意義。以至于一次又一次深入西藏腹地，決心將高原谷地神圣高潔的內(nèi)心世界現(xiàn)于影照之中，使其富有表情的美妙瞬間成為永恒。懷著此等使命感的攝影家不避艱險(xiǎn)深入其中而樂(lè)此不疲，超越自身生命極限的驚險(xiǎn)歷程中透出的是一種難以言傳的神圣使命，因而景照所現(xiàn)多幽古清遠(yuǎn)的天堂之美。</p><p class="ql-block">在我如此回顧其攝影創(chuàng)作過(guò)程的時(shí)候，作為畫(huà)家的馮偉已再一次回歸筆墨言情的繪畫(huà)創(chuàng)作，期待他畫(huà)跡驚世的一天。</p><p class="ql-block"><span style="font-size:15px;">乙未深秋，籽敘記于燈下（本文作者吳風(fēng)，系美術(shù)史論家、詩(shī)人、書(shū)畫(huà)家、金石學(xué)家、中國(guó)美協(xié)會(huì)員、中國(guó)書(shū)協(xié)會(huì)員、中國(guó)美院教授，著有《中國(guó)紅色美術(shù)創(chuàng)作史話》等十四部學(xué)術(shù)專(zhuān)著。）</span></p><p class="ql-block"><span style="font-size:15px;">?</span></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block">The experience of adversity is a rich spiritual wealth for those who achieve their career. This is true of writers, painters and other artists. Feng Wei's photography creation has experienced all kinds of legends. The dangerous shooting process did not make him timid. On the contrary, he had an epiphany and understood the meaning of life. He went deep into the hinterland of Tibet again and again, determined to present the sacred and noble inner world of the plateau Valley in photography, and make its expressive and beautiful moments eternal. With such a sense of mission, photographers do not avoid difficulties and risks, which goes beyond their own limitations and becomes a sacred mission. The shadow works are full of the beauty of ancient and distant heaven. When I analyzed the success or failure of photography creation, Feng Wei, as a painter, has returned to the painting creation of pen, ink and emotion. We look forward to the day when his paintings will shock the world.</p><p class="ql-block">Lu Zixu is a member of the Chinese Artists Association, a member of the Chinese Calligraphers Association, a visiting professor and an art researcher of the Chinese Academy of fine arts, and has written nine art academic monographs</p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;">馮偉作品</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px;">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">辛丑年</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">2021年12月12日</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">北 京</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">出品人/尚柔</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">攝影/馮偉</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">總監(jiān)／一禪</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">百度 搜索</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">“雕塑家李剛”、“李剛立體主義＂</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">可以了解更多有關(guān)</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">雕塑家李剛作品藝術(shù)及評(píng)論</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">歡迎您</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">互相交流</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">相互支持</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">誠(chéng)摯建立一個(gè)良好的交流平臺(tái)，</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">為能量文化做好自己</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">致敬</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">北京通州區(qū)宋莊園領(lǐng)部落C幢4單元102室</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">李剛雕塑藝術(shù)工作室</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">AAbc?原創(chuàng)/中國(guó)藝術(shù)&線上國(guó)際</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">歡迎支持轉(zhuǎn)摘.轉(zhuǎn)發(fā)中國(guó)能量文化</span></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;"><span style="font-size:15px;">????????????</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Xin Chou Nian</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">December 12, 2021</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Beijing</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Producer / Shang Rou</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Photography / Feng Wei</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Director / yizen</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Baidu search</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">"Sculptor Li Gang", "Li Gang Cubism"</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">You can learn more about</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Sculptor Li Gang's art works and comments</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Welcome</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Communicate with each other</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">support each other</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Sincerely establish a good communication platform,</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Be yourself for energy culture</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">salute</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Room 102, unit 4, building C, lingtribe, song manor, Tongzhou District, Beijing</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Li Gang sculpture art studio</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">AABC ? original / Chinese Art & Online International</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:15px;">Welcome to support the translation and forwarding of Chinese energy culture</span></p>