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克萊門夫婦肖像揭幕式(The Unveiling Ceremony for the Portrait of Mr.& Mrs. Clement)

中美文化藝術交流空間

<p class="ql-block"><br></p><p class="ql-block">地點:美國馬里蘭州豪爾德學院理工大樓正廳</p><p class="ql-block">時間:2025年3月16日美國東部時間上午9:30-11:00點</p><p class="ql-block"><br></p> <p class="ql-block">金元淑、克萊門夫婦肖像 (Portrait of Wonsook Kim & Thomas Clement )</p><p class="ql-block"><br></p> <p class="ql-block"><br></p><p class="ql-block"><br></p><p class="ql-block"><br></p><p class="ql-block"> 本人今年所作“克萊門夫婦肖像畫” <span style="font-size:18px;">(Portrait of Mr. & Mrs. Clement ) </span>于2025年3月16日正式揭幕。</p><p class="ql-block"><br></p><p class="ql-block">克萊門夫婦是美國大慈善家,為我執(zhí)教的大學捐了巨款,前年建成的理工教學大樓以夫婦二人名字命名。我作的肖像畫將在此樓永久陳列。這件近作是學校收藏本人的第五件肖像。</p><p class="ql-block"><br></p><p class="ql-block">湯姆士. 克萊門生于韓國 ,是韓戰(zhàn)遺孤,從小飽經(jīng)磨難,后為美國夫婦收養(yǎng)返美,因天資聰穎,學業(yè)事業(yè)均有大成,財務自由后,全力返饋社會,捐贈不少高校予巨資,與夫人一道成為美國著名慈善家。克太太金元淑也來自韓國,是一位韓裔藝術家,曾主攻陶藝,后轉(zhuǎn)向于架上繪畫。她作品的風格介乎于超現(xiàn)實主義與抽象表現(xiàn)主義之間,且有深厚的東方審美意趣。</p><p class="ql-block"><br></p><p class="ql-block">克萊門夫婦的雙人肖像花了我近兩月時間。依本人專業(yè)經(jīng)驗,為此二位作肖像,本應有一揮而就的順暢,但創(chuàng)作的過程卻跌宕起伏,一波三折,算是我藝術創(chuàng)作中很少遇到的挑戰(zhàn)。</p><p class="ql-block"><br></p><p class="ql-block">若依肖像畫這一行當?shù)墓爬?,藝術家首先應與模特互動,做不少事前功課,畫不少速寫構(gòu)圖,然后選定構(gòu)圖,開始畫些較為深入的素描稿和色彩小樣,為最終作品定稿。但時至高速生活節(jié)奏的當下,這類名人肖像的主體很難再有古典時期一唱三嘆的閑暇。薩金特面對模特直接作畫時悠哉由哉,從容不迫寫生的奢侈似不復存在,藝術家只得利用今天發(fā)達的照相技術,省略了早期的功課和程序,照像機和PS軟件因此成了得力的助手??萍紟淼谋憷?,對于肖像畫家而言,反應亦是喜憂參半。</p><p class="ql-block"><br></p><p class="ql-block">這件雙人肖像畫的挑戰(zhàn)當然來自克萊門夫人,作為一位<span style="font-size:18px;">很有主見的</span>藝術家,克夫人對畫作要求極高,且有不少個人的藝術判斷,克萊門先生因?qū)櫰薅糠艡?quán),全由太太作斷。我因此為此件作品專程攜攝影師去克萊門夫婦家中拍了幾十張照片,弄了近十幾個草圖方案,均不入克夫人法眼。在這過程中我一度差點放棄,但最終由她找出的三張不同的舊照片拼出了定稿草圖。其原始圖片剪自不同的場景,像素奇低、非常粗糙。幸好我擅長PS軟件,花了不少時間,總算將<span style="font-size:18px;">草圖作了出來。背景的抽象畫是金元淑本人的得意之作,圖片是拍自她在韓國做展覽時的場景。她曾力主我將展廳場景還原,甚至背景墻上的柱頭都不能省略。在最終完成的作品中,我費盡心機將此墻柱虛化,使其不至喧賓奪主。因此這件作品完成的過程是在我肖像畫創(chuàng)作生涯中,難度奇高的經(jīng)歷。不過,最終夫婦二人來我畫室見到完成的作品時,欣喜異常,作品能得他們最后的認可,也算是功德圓滿。</span></p><p class="ql-block"><br></p><p class="ql-block"><span style="font-size:18px;">或許,這種經(jīng)歷也是不少商業(yè)性藝術家們經(jīng)常不得面臨的尷尬和悖論。一般情況下,肖像畫家一方面必須滿足服務對象的需求,將客戶做適度的美化,另一方面又希望不失去繪畫的藝術性表達。因此,大多數(shù)藝術家持中庸之道而為之。能達至最佳的平衡者,薩金特算是此道中最為成功的模范,他的肖像作品件件養(yǎng)眼的同時,用筆用色大方穩(wěn)準,藝術性極強。反之,倫勃朗的遭遇則為相反的極端案例,朗爺為了藝術,奮不顧身,傾心而作的一幅“夜巡圖”群像在藝術表現(xiàn)達到極高的段位的同時,此畫也成了他肖像創(chuàng)作生涯中的滑鐵盧,朗爺在此件大作中追求完美的藝術性惹惱了群像中不少位居次位的金主,這些藝術庸眾們的不買單,不但讓朗爺失去了后續(xù)的訂件,而且因此畫在當時巨商大賈客戶群中造成負面的影響,讓朗爺從此貧困潦倒,慘渡余生。不過,朗爺?shù)倪@件傾心大作“夜巡圖”卻成了千古絕唱,一件難得的世界頂級名畫,荷蘭皇家美術舘的鎮(zhèn)舘之寶。</span></p><p class="ql-block"><span style="font-size:18px;"><span class="ql-cursor">?</span></span></p><p class="ql-block"><span style="font-size:18px;">?如果將薩金特流光寶氣、貴氣十足的肖像畫與朗爺作品相比,可立判高下。倫勃朗老爺子的肖像作品無論是思想深度或是藝術的表達,明顯高出薩哥的帥哥美女作??梢娎L畫作品的思想性和藝術性才是使藝術品永生的主因。</span></p><p class="ql-block"><br></p><p class="ql-block"><span style="font-size:18px;">本人才智平庸,眼高手低,只求一步一腳印,將所作之畫弄得能神形兼?zhèn)?,養(yǎng)眼怡情,就很滿足。這件作品成功與否,留給觀眾作斷。自己余下藝術大夢的追逐,只能留給日后每一次的創(chuàng)作……。</span></p><p class="ql-block" style="text-align:right;"> 甘一飛</p><p class="ql-block" style="text-align:right;">2025年3月30日 作記</p><p class="ql-block" style="text-align:right;"><br></p><p class="ql-block" style="text-align:right;"><br></p> <p class="ql-block">揭幕式現(xiàn)場</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">揭幕式現(xiàn)場</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">副校長致辭(比上次著裝更為正式)</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">揭幕前</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">揭幕一瞬</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">揭幕一瞬</p> <p class="ql-block">揭幕一瞬</p> <p class="ql-block">揭幕一瞬</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">克萊門夫婦與肖像留影</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">克萊門夫婦與肖像留影</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">克萊門夫婦與肖像留影</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">藝術家與畫中人</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">藝術家與畫中人</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">校長與克夫人</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">校長威利絲、克萊門夫婦與本人</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">校長威利絲、克萊門夫婦與本人</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">校長威利絲、克萊門夫婦與本人</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">校長與肖像</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">克夫人致辭</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">本人與克萊門先生</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">本人與克萊門先生</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">氣質(zhì)欠費的藝術家</p> <p class="ql-block">人文學院副院長余洋和劉玉蘭教授前來為我助威</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">哥們姐們前來助陣</p> <p class="ql-block">哥們姐們前來助陣</p> <p class="ql-block">校長、學校公關部行政人員與克菜門夫婦合影</p><p class="ql-block"><br></p> <p class="ql-block">薩娜Sarah原是我的學生,才華出眾,現(xiàn)為學校專業(yè)攝影師,每次出行拍肖像,薩娜必隨行</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">本人完成此件,心情好極</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">落成的肖像</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block"><br></p><p class="ql-block"><br></p><p class="ql-block">如下為創(chuàng)作過程紀錄:</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">草圖</p><p class="ql-block"><br></p> <p class="ql-block">創(chuàng)作過程中</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">創(chuàng)作過程中</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">克萊門夫婦在我畫室</p><p class="ql-block"><br></p><p class="ql-block"><br></p> <p class="ql-block">金元淑、克萊門夫婦肖像 (Portrait of Wonsook & Thomas Clement )完成稿</p><p class="ql-block"><br></p> <p class="ql-block"><br></p><p class="ql-block"><span style="color:rgb(176, 79, 187);">特別鳴謝:薩娜 (Sarah),周晉民先生、陳競飛、劉玉蘭女士等朋友們的現(xiàn)場攝影</span></p><p class="ql-block"><br></p> <p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><b>?The Unveiling Ceremony </b></p><p class="ql-block" style="text-align:center;"><b>for </b></p><p class="ql-block" style="text-align:center;"><b style="font-size:18px;">The portrait of Mr. & Mrs. Clement</b></p><p class="ql-block"><br></p><p class="ql-block" style="text-align:center;">Yifei Gan</p><p class="ql-block" style="text-align:center;">March 30, 2025</p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block">The portrait of Mr. & Mrs. Clement that I made this year was officially unveiled on February 27, 2025.</p><p class="ql-block">The Clements are great American philanthropists who donated a huge sum of money to the university where I teach. The science and engineering building built two years ago was named after the couple. My portrait will be permanently exhibited in this building. This recent work is the fifth portrait of me collected by the school.</p><p class="ql-block">Thomas Clement was born in South Korea. He is an orphan of the Korean War. He suffered a lot since childhood. Later, he was adopted by an American couple and returned to the United States. Because of his natural intelligence and hard working , he achieved great success in his studies and career. After financial independence, he gave back to the society with all his strength and donated huge sums of money to many universities. Together with his wife, he became a famous American philanthropist. Ms. Kim Won-sook is also from South Korea. She is a Korean artist who once focused on ceramics and later turned to painting. The style of her works is between surrealism and abstract expressionism, and has a deep oriental aesthetic connotation.</p><p class="ql-block">It took me about two months to complete the couple's portrait. According to my professional experience, painting portraits for these two people should be smooth and easy, but the creative process faces many challenges.</p><p class="ql-block">According to the old practice of portraiture, the artist should first interact with the model, do a lot of preliminary homework, draw a lot of quick sketches, and then select the composition, start to draw some more in-depth sketches and color samples to finalize the final work. But nowadays, with the fast pace of life, it is difficult for the subjects of such celebrity portraits to have the leisure time of the classical period. Sargent's leisurely painting directly in front of the model and the luxury of carefully sketching no longer exist. We can only use today's advanced photography technology to omit the early homework and procedures, and the camera and PS software have become a powerful assistant.</p><p class="ql-block">The challenge of this double portrait painting certainly came from Mrs. Clement, as a very opinionated artist Mrs. Clement had extremely high expectations for paintings and had many personal artistic judgments. Mr. Clement doted on his wife and gave up all power, leaving it to his wife to make all the decisions. Therefore, for this work, I took a photographer to their homes to take dozens of photos and made nearly a dozen sketches, but none of them met Mrs. Clement's standards. During this process, I almost gave up, but in the end she found three different old photos and pieced together the final sketch. Her original pictures were cut from different scenes, with very low resolution and very rough. Fortunately, I am good at PS, and after spending a lot of time, I finally made the sketch. The abstract painting in the background was taken by Kim when he had an exhibition in South Korea. She had urged me to restore the scene in the exhibition hall and even the background. The column on the wall cannot be omitted. In the final work, I took great effort to blur the wall column so that it would not dominate the main subject and affect the main body of the portrait. Therefore, the process of completing this work was an extremely difficult experience in my portrait painting career. However, in the end, the couple came to my studio to see the finished work and were extremely impressed by my work. It eventually became a perfect happy ending .</p><p class="ql-block">Perhaps this is also the paradox of commercial portrait painter has to face. Under normal circumstances, artist have to meet the needs of the client on the one hand and on the other hand, they cannot lose the artistic expression or artistic effect, so they can only do it in a balance way. John Singer Sargent is a successful example in this way. Rembrandt is an extreme case on the contrary. For the sake of art, his group portrait of "Night Watch" became the Waterloo of his portrait creation. Not only did he lose subsequent orders, but he also spent the rest of his life in poverty. However, his "Night Watch" became a masterpiece of the ages and a world-famous painting that is unique in the ages.</p><p class="ql-block"><br></p><p class="ql-block">I have high expectations in my artistic endeavors, but always feel there are big spaces for improvement. If I can make my paintings to have both life essence and artistic expression, I then will be very happy. Of course, hope I can do better next time ...</p>