<p class="ql-block">復(fù)原古人制香步驟圖</p><p class="ql-block"> </p><p class="ql-block">我們考據(jù)《陳氏香譜》《香乘》等文獻(xiàn)，依“生香蒸過為佳”定蒸香火候，據(jù)黃庭堅(jiān)“末之”辨碾香細(xì)度，參照宋代器物圖譜還原工具形制，將文獻(xiàn)文字轉(zhuǎn)化為復(fù)原步驟圖。圖中每步皆有依據(jù)：采香對(duì)應(yīng)《清明上河圖》香鋪記載，窖藏標(biāo)注樟木箱防潮史料，香泥配比參照古方比例，讓典籍中的制香智慧重成完整古法香韻。</p><p class="ql-block"> </p><p class="ql-block">Restoring the Ancient Incense-Making Step Diagram</p><p class="ql-block"> </p><p class="ql-block">We researched documents such as Chen's Incense Manual and Xiang Cheng (A Collection of Incense), determined the heat for steaming incense based on the record "raw incense is better after steaming", identified the fineness of ground incense according to Huang Tingjian's description of "grinding into powder", and restored the shape of tools by referring to Song Dynasty artifact charts, converting the text in documents into a restored step diagram. Every step in the diagram is evidence-based: the incense-picking scene corresponds to the records of incense shops in Along the River During the Qingming Festival, the storage step marks historical materials about camphor wood boxes preventing moisture, and the incense clay ratio refers to the proportion in ancient recipes, re-integrating the incense-making wisdom in classics into a complete ancient incense-making charm.</p> <p class="ql-block">田江</p><p class="ql-block">畫家簡歷——</p><p class="ql-block">田江，號(hào)梅妻鶴子。</p><p class="ql-block">中國民主促進(jìn)會(huì)會(huì)員</p><p class="ql-block">一級(jí)美術(shù)師</p><p class="ql-block">北京榮寶齋簽約畫家</p><p class="ql-block">陜西省美術(shù)家協(xié)會(huì)會(huì)員</p><p class="ql-block">陜西省書法家協(xié)會(huì)會(huì)員</p><p class="ql-block">西安市美協(xié)理事（中國畫藝委會(huì)副主任）</p><p class="ql-block">西安中國畫院特聘畫家</p><p class="ql-block">西安開民畫院畫家統(tǒng)一新</p><p class="ql-block">戰(zhàn)線文化交流中心畫家</p><p class="ql-block">長安美協(xié)副主席</p><p class="ql-block">長安青年美協(xié)副主席</p><p class="ql-block">長安中國畫院研究員</p>