寇富平作品《高風(fēng)亮節(jié)》賞析 <p class="ql-block" style="text-align:center;">正見聞</p> <p class="ql-block"> “建白瓷”以“質(zhì)若凝脂，釉瑩似玉；微泛暖黃，溫潤(rùn)蘊(yùn)和，雅致天成”為核心特質(zhì)，成為中國(guó)白瓷中獨(dú)樹一幟的瑰寶。當(dāng)代“建白瓷”之父寇富平大師的《高風(fēng)亮節(jié)》，正是將這份材質(zhì)之美與中式君子文化深度融合的典范，在梅瓶器型的方寸之間，以瓷韻載竹風(fēng)，以竹風(fēng)鑒初心。</p> <p class="ql-block"> 《高風(fēng)亮節(jié)》取梅瓶經(jīng)典形制，小口斂藏、短頸溫婉、豐肩飽滿、瘦底修長(zhǎng)、圈足沉穩(wěn)，線條流轉(zhuǎn)間勾勒出中式器皿的含蓄與端莊。瓶身兩側(cè)的吉祥雙獸耳雕琢細(xì)膩，靈動(dòng)感的獸紋與梅瓶的婉約質(zhì)感剛?cè)嵯酀?jì)，既添祥瑞之意，又讓器型的層次與立體感愈發(fā)鮮明，與“建白瓷”溫潤(rùn)的基底相映成趣。</p> <p class="ql-block"> 寇富平大師運(yùn)用陰刻技法在“建白瓷”胎上雕琢青竹，這不僅是作品的靈魂所在，更彰顯了大師深厚的工藝功底——陰刻創(chuàng)作要求創(chuàng)作者具備極為高深的傳統(tǒng)功力，對(duì)刀法與胎性需精熟于心。刀鋒起落間，竹葉的舒展、竹枝的挺拔被刻畫得栩栩如生，深淺刻痕讓竹叢在光線下層次分明，似有清風(fēng)穿林、竹影婆娑?！敖ò状伞蔽⒎号S的瑩潤(rùn)釉面，如天然宣紙般承托著竹的風(fēng)骨，素白瓷胎與立體竹紋相融，讓靜態(tài)的瓷瓶生出動(dòng)態(tài)靈韻，也讓竹的形象從紋飾升華為精神的象征。</p> <p class="ql-block"> 竹，自古便是君子的化身，代表著清華其外、澹泊其中的品格?！陡唢L(fēng)亮節(jié)》以竹喻人，當(dāng)光線透過“建白瓷”瓶身，暖黃的釉色溫潤(rùn)蘊(yùn)和，竹紋在柔光中更顯清麗俊逸，恰如君子一身正氣、堅(jiān)守初心的風(fēng)骨。作為“建白瓷”的守護(hù)者與開拓者，寇富平不僅以精湛工藝延續(xù)了“建白瓷”的千年傳承，更將對(duì)君子品格的推崇、對(duì)傳統(tǒng)文化的堅(jiān)守融入創(chuàng)作，讓這件作品超越器物本身，成為承載中式精神的文化載體。</p> <p class="ql-block" style="text-align:center;"><b style="font-size:15px;">中央黨校大友書局圖書館收藏了《高風(fēng)亮節(jié)》</b></p> <p class="ql-block"> 瓷韻悠悠，竹風(fēng)烈烈。寇富平的《高風(fēng)亮節(jié)》，既是“建白瓷”的“雅致天成”特質(zhì)之極致展現(xiàn)，也是對(duì)中式君子文化的生動(dòng)詮釋。在這件作品里，我們看見瓷藝的精湛、竹的風(fēng)骨，更能觸摸到創(chuàng)作者對(duì)“建白瓷”傳承的初心，這份初心讓“建白瓷”的魅力在當(dāng)代依舊熠熠生輝，也讓中式美學(xué)的內(nèi)核在器物中得以永恒流傳。</p> <p class="ql-block"><b><i> The Charm of Porcelain and Bamboo Reflects the Original Heart</i></b></p><p class="ql-block"><b><i>— Appreciation of Kou Fuping's Noble and Unsullied</i></b></p><p class="ql-block"> "Jianbai Porcelain" is characterized by a texture like congealed grease, glaze as luminous as jade, with a faint warm yellow hue, gentle and harmonious, elegantly natural. As a treasure among Chinese white porcelains, Noble and Unsullied by Master Kou Fuping, the father of contemporary "Jianbai Porcelain", perfectly integrates the beauty of the material with the essence of traditional Chinese gentlemanly culture. Between the inches of the plum vase shape, it carries the grace of porcelain and the spirit of bamboo, reflecting the original heart through bamboo style.</p><p class="ql-block"> Noble and Unsullied adopts the classic shape of a plum vase: small mouth, short neck, full shoulder, slender base, and stable foot. The flowing lines outline the subtlety and dignity of traditional Chinese vessels. The two auspicious mythical beast ears on both sides are exquisitely carved. The vivid beast patterns complement the gentle elegance of the plum vase, adding auspicious meaning and enhancing the layering and three-dimensional sense of the shape, harmonizing with the gentle foundation of "Jianbai Porcelain".</p><p class="ql-block"> Master Kou Fuping uses the intaglio carving technique as a brush to carve green bamboo on the jade-like body of "Jianbai Porcelain". This is not only the soul of the work but also a demonstration of the master’s profound craftsmanship. Intaglio carving requires extremely profound traditional skills, with a thorough mastery of cutting techniques and the properties of the porcelain body. With each rise and fall of the blade, the stretching of bamboo leaves and the straightness of branches are vividly portrayed. The deep and shallow carvings create distinct layers of the bamboo grove under light, as if a breeze passes through the forest, casting swaying bamboo shadows. The luminous glaze of "Jianbai Porcelain" with a faint warm yellow tone sets off the integrity of bamboo like natural rice paper. The plain white porcelain body and the three-dimensional bamboo patterns blend together, bringing dynamic vitality to the static vase and elevating the image of bamboo from ornament to a symbol of spirit.</p><p class="ql-block"> Bamboo has long been the embodiment of a gentleman in Chinese culture, representing purity outside and tranquility within. Noble and Unsullied uses bamboo to metaphorize character. When light shines through the "Jianbai Porcelain" vase, the warm yellow glaze appears gentle and harmonious, and the bamboo patterns look even more elegant under soft light, just like a gentleman of integrity and steadfast original heart. As the guardian and pioneer of "Jianbai Porcelain", Kou Fuping not only continues the millennium inheritance of "Jianbai Porcelain" with exquisite craftsmanship but also integrates his admiration for gentlemanly virtue and adherence to traditional culture into his creation, lifting the work beyond a mere object to a cultural carrier of Chinese spirit.</p><p class="ql-block"> The charm of porcelain lingers, the spirit of bamboo stands firm. Kou Fuping’s Noble and Unsullied is the ultimate expression of the "elegantly natural" quality of "Jianbai Porcelain" and a vivid interpretation of traditional Chinese gentlemanly culture. In this work, we see not only superb porcelain art and the integrity of bamboo, but also the creator’s original heart for inheriting "Jianbai Porcelain". This original heart keeps the charm of "Jianbai Porcelain" shining brightly in the present age and allows the core of Chinese aesthetics to endure forever in objects.</p>